সোমবার, ৩১ অক্টোবর, ২০১১

In Kabul, a bowling center offers respite from war

In this Friday, Oct. 28, 2011 photo, Meena Rahmani, 26, owner of The Strikers, the country's first bowling center, holds a bowling ball in Kabul, Afghanistan. In an Afghan capital scarred by years of war, a young Afghan woman has bet $1 million that the country could use a chance to have a bit of fun _ by bowling. Located just down the street from Kabul's glitziest mall, Meena Rahmani opened Afghanistan's first bowling alley, offering a place where Afghan men, women and families can gather, relax, bowl a few games and not be burdened by the social, religious and cultural restrictions that govern daily life in the impoverished country.(AP Photo/Muhammed Muheisen)

In this Friday, Oct. 28, 2011 photo, Meena Rahmani, 26, owner of The Strikers, the country's first bowling center, holds a bowling ball in Kabul, Afghanistan. In an Afghan capital scarred by years of war, a young Afghan woman has bet $1 million that the country could use a chance to have a bit of fun _ by bowling. Located just down the street from Kabul's glitziest mall, Meena Rahmani opened Afghanistan's first bowling alley, offering a place where Afghan men, women and families can gather, relax, bowl a few games and not be burdened by the social, religious and cultural restrictions that govern daily life in the impoverished country.(AP Photo/Muhammed Muheisen)

In this Wednesday, Oct. 12, 2011 photo, an Afghan girl walks back to her home, carrying her sister on her back after buying balloons from a vendor in Kabul, Afghanistan. For most people in Kabul, there have long been few options for how to spend their free time. But now, a young Afghan woman has opened the country's first bowling alley, betting that her countrymen could use a chance to have a bit of fun.(AP Photo/Muhammed Muheisen)

In this Friday, Oct. 28, 2011 photo, an Afghan man plays at the Strikers, the country's first bowling center, in Kabul, Afghanistan. In an Afghan capital scarred by years of war, a young Afghan woman has bet $1 million that the country could use a chance to have a bit of fun _ by bowling. Located just down the street from Kabul's glitziest mall, Meena Rahmani opened Afghanistan's first bowling alley, offering a place where Afghan men, women and families can gather, relax, bowl a few games and not be burdened by the social, religious and cultural restrictions that govern daily life in the impoverished country.(AP Photo/Muhammed Muheisen)

In this Friday, Oct. 28, 2011 photo, Afghan men play at the Strikers, the country's first bowling center, in Kabul, Afghanistan. In an Afghan capital scarred by years of war, a young Afghan woman has bet $1 million that the country could use a chance to have a bit of fun _ by bowling. Located just down the street from Kabul's glitziest mall, Meena Rahmani opened Afghanistan's first bowling alley, offering a place where Afghan men, women and families can gather, relax, bowl a few games and not be burdened by the social, religious and cultural restrictions that govern daily life in the impoverished country.(AP Photo/Muhammed Muheisen)

In this Tuesday, Oct. 11, 2011 photo, Afghan children enjoy a swing ride set up in a cemetery outside Sakhi shrine in Kabul, Afghanistan. For most people in Kabul, there have long been few options for how to spend their free time. But now, a young Afghan woman has opened the country's first bowling alley, betting that her countrymen could use a chance to have a bit of fun.(AP Photo/Muhammed Muheisen)

(AP) ? In an Afghan capital scarred by years of war, a young Afghan woman has bet $1 million that her countrymen could use a little fun.

Located just down the street from Kabul's glitziest mall, is The Strikers, the country's first bowling alley and owner Meena Rahmani's gamble on the capital's newest entertainment venue. But more than a place for family fun in a city largely devoid of options, the 12-lane center stands as a reflection of both the country's hope for the future and the challenge of securing one even as NATO's fight against the Taliban enters its 11th year.

"We can never compare a bowling center ... in Afghanistan and one ... in the West," said Rahmani. "Afghanistan needed a place like this."

Aside from the cultural significance of such a center in a country largely lacking entertainment choices, building the bowling alley was a massive undertaking. All the equipment is imported, the engineers came from China and the alley is powered by several industrial-sized generators. The entrance to the alley sits behind blast-resistant steel doors guarded by burly men toting AK-47 assault rifles.

"This was a huge project," said Rahmani, but "we were committed to it."

Rahmani has gambled $1 million of her own money ? secured from the sale of family land ? that the center will not only help bored Afghans kill a few hours, but also a place where men, women and families can gather and relax, not burdened by the social, religious and cultural restrictions that govern daily life in the impoverished country.

Inside, several dozen Afghans, most of whom learned to bowl abroad, seem to agree. In the month since it opened, The Strikers has become a hit.

"Here, on our days off, we walk aimlessly in the streets," said Navid Sediqi, a 29-year-old businessman. He said he used to begin his weekend by logging onto Facebook and chatting with his friends online. After Friday prayers, they would go to picnic areas or parks, and sit and chat.

"This is so much better. Finally, a bit of excitement on our days off," he said dressed in a pressed, white traditional shalwar kameez.

For most people in this city of about 5 million, there were, for years, few options to while away the hours.

There are kite fights, picnics or paddle-boat rides on a lake on Kabul's outskirts, as well as football games on dirt pitches that ring Darulaman Palace, the bombed-out seat of former Afghan kings. Some rusty amusement rides have been set up for children, including in a graveyard.

Snooker clubs also have sprouted up around Kabul, but they are largely seen as attracting unsavory characters ? people who Sediqi described as "not the kind of open-minded people" one would find at the bowling alley.

Like most everything else in Afghanistan, the alley is a study in contrasts and challenges, not the least of which is that it's a business started by a young woman in a country where women have traditionally been pushed firmly to the sidelines.

Rahmani, who left Afghanistan in 1992 and spent 15 years in Pakistan with her parents before moving to Canada for graduate studies, said the idea came to her when she visited her home country several years ago and found there was nothing for Afghans to do beyond occasionally going out to eat, going for walks or visiting family.

The alley seemed like a good antidote to the boredom.

But the daily reality of life in the troubled nation is clearly reflected outside the alley's main door.

In a country where restaurants frequented by wealthier Afghans and Westerners require patrons to check their guns at the door, bowlers get frisked by security before entering the building. It's not without reason ? a nearby shopping mall was hit twice by insurgent attacks since it opened in 2005. Above the second steel door sits a sign all too common in Afghanistan: "No weapons."

The Strikers is divided into two parts, a restaurant and 12 fully-automated bowling lanes with computer scoring.

The alley, which opened about a month ago, was built from the ground up. The equipment was imported from the United States and the engineers who set it up and trained the local staff came from China.

"Since there had never been bowling in Afghanistan, no one here knew how to set it up," said Rahmani, while a group of young Afghans sipped Red Bull energy drinks and watched their friend toss a neon bowling ball straight into the gutter.

While men so far make up the bulk of the bowlers, Rahmani said women are increasingly making an appearance, coming with their husbands and families. She sees their presence in the alley as an encouraging sign of changes in the country. If it catches on, she said, she sees expanding to other provinces and starting bowling leagues in the country.

"This place is made for our own nation," she said, stressing that politics has no role in the push for fun. "It's just a sports place."

Kabul's unreliable electricity network meant she had to install industrial size generators to ensure a steady stream of power. The operating expenses for the first month alone came to $30,000, most of it for utilities.

Those expenses mean that it's a pass-time for a select few in the capital.

An hour of bowling costs $35, which can be divided between as many as six players to a lane. A cup of coffee costs $5, more than the average local daily wage.

She concedes its unaffordable for most in the country, but says that when expenses and startup costs are so high, she had little choice but to charge such rates. If it catches on, prices could quickly drop.

____

Associated Press writer Massieh Aryan contributed.

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/cae69a7523db45408eeb2b3a98c0c9c5/Article_2011-10-30-AS-Afghanistan-Bowling/id-8da8dfd61aa34341b408fd10729c62a8

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No. 22 Georgia gets rare win over Florida, 24-20

Aaron Murray threw two touchdown passes on fourth down, and No. 22 Georgia overcame several mistakes to beat Southeastern Conference rival Florida 24-20 Saturday.

The Bulldogs, at the very least, kept pace with South Carolina in the Eastern Division.

It was Georgia's fourth victory in the last 22 games against Florida and could be a big one for coach Mark Richt. He had been under pressure since losing his first two games this season.

Now, the Bulldogs (6-2, 5-1 SEC) have won six straight.

The Gators have lost four in a row for the first time since 1988, a streak that certainly will taint coach Will Muschamp's first season in Gainesville.

The latest loss came against Muschamp's alma mater and eliminated Florida (4-4, 2-4) in the division race.

Source: http://www.miamiherald.com/2011/10/29/2478557/no-22-georgia-gets-rare-win-over.html

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[OOC] Avatar: A War Between Nations

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You know, I could kiss people who tell others to have good grammar. Anyway, my real question. Is there possibly a skelly? ^ 3^

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Aixulram
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I'll have one up in just a minute, and I LOVE your icon btw, Rainbow Dash is the best!

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Salroka
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I would like to create an airbender. I'll get to work right away.

Am I crazy? Well, that depends. Define crazy.

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MotherDragons
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Hells yeah! Sonic Rainboom FTW! Anyway, thanks! I'll be spying till then!

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Aixulram
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I never really got into the Avatar series. But I'd love to learn through a well built roleplay. I do understand the basics. I'm not clueless... so... hopefully I can have a character up in a little while.

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Vio-Lance
Member for 1 years


EVERYONE! The skelly has been posted on the introduction page of the roleplay forum, edit as you see fit!

@Aixulram: *Fluttershy voice* You rock..! Woo-hoo..!

@Vio-Lance: No problem, if you need any help, just ask. :)

@MotherDragons: Great! I look forward to seeing them!

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Salroka
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Question: Can I create the Fire Lord's (I'm assuming it's still Zuko) daughter?

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TwiliXDragon
Member for 1 years


@TwiliXDragon: Actually, this takes place way before Zuko is even born, this is right before the great war comes around, with Sozin being the Fire Lord at the time. However, you may create Sozin's daughter, since his offspring were never really named or confirmed.

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Salroka
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Wow, I feel stupid now...I totaly read that...either way, one Fire Lord's daughter, coming up. :) I added a few things to my character shee as well, and am going to cover everything you want ^^ I like making ym profiles look nice. Now if I can just find a decent picture...

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TwiliXDragon
Member for 1 years


I might submit a character ^^

There are three kinds of people, those who can count and those who can't.

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Gryazi
Member for 0 years


@TwiliXDragon: Great, I look forward to seeing her. :)

@Gryazi: I look forward to seeing your character, if you so choose to submit one. ...I love your picture, btw. XD

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Salroka
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Can I create a Fire Nation rebel? It's implied that Sozin went away with many Fire Nation traditions and subjugated the Fire Sages. Not everyone could have liked that. Even Nazi Germany had the White Rose.

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almostinsane
Member for 3 years


I think I will. I'm going to try to play around with a female air nomad since they weren't really featured in the show.
And thank you! xD Looove Trollestia.

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Gryazi
Member for 0 years


@almostinsane: Of course! That's a good idea! :)

@Gryazi: Trollestia is the best Celestia. XD

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Salroka
Member for 0 years


I would love to get involved in this.

It needs to be about 20% Cooler.


Looking for that one, awesome, sci-fi role-play.
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ShadeYuka
Member for 2 years


I would like to be a water bender please. Also, I would like to reserve finding Soka's boomy (boomerang) (best weapon ever no matter what anyone says, it's the best in my eyes)(It's like my trademark in all Avatar RPs to find it in my first post). (and it works since I could make it before he found it)

POWER TO THE ROLE PLAYERS

i am 33% evil, 33% insane, 33% role player, and 1% other (Note: Insane and Brilliant are the same thing!)

My test:

My Brothers Test: [CENTER]Image

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Mr. Baneling Squishy
Member for 1 years


@Mr. Baneling Squishy: Actually, this roleplay takes place long before Sokka's born, before the start of the War, where Sozin was the current Fire Lord. If you want to though, you'll have to make it tie in some way that it'll be Sokka's. XD

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Salroka
Member for 0 years


I'll be making a firebender, though she will be different from others...

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Aixulram
Member for 0 years


Salroka wrote:@Mr. Baneling Squishy: Actually, this roleplay takes place long before Sokka's born, before the start of the War, where Sozin was the current Fire Lord. If you want to though, you'll have to make it tie in some way that it'll be Sokka's. XD

I know, if we manage to get to the end of the RP, I could somehow make it end up at the south pole!

But like I said, it's my trademark in Avatar RPs

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Mr. Baneling Squishy
Member for 1 years



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রবিবার, ৩০ অক্টোবর, ২০১১

Antonio Banderas and Salma Hayek Talk Puss in Boots

antonio-banderas-salma-hayek-slice

In Puss in Boots, the adorable little creature with the deep voice who became a fan favorite in the Shrek films gets to go on his own adventure. A notorious fighter, lover and outlaw, Puss (Antonio Banderas) sets off with the tough and street smart Kitty Softpaws (Salma Hayek) and his childhood best friend Humpty Dumpty (Zach Galifianakis), in search of magic beans to grow a beanstalk that will lead them to the fabled goose that can lay golden eggs. Making things rather difficult for them is the notorious Jack and Jill (Billy Bob Thornton and Amy Sedaris), who will do anything to see that the trio does not succeed.

At a press conference for the film, Antonio Banderas and Salma Hayek talked about how lucky and proud they are to be a part of the film, working without a script ahead of time as the story was developed along the way, and how the got the unusual opportunity to do a voice recording session together. Check out what they had to say after the jump:

Question: When you both first came to this country, you had to struggle to get work. How does it feel to be in a big Hollywood movie like this, where there are two Latino leads?

ANTONIO BANDERAS: When I first came to America, 21 years ago, I did The Mambo Kings, and somebody on the set said to me, ?If you?re gonna stay here, you?re gonna play bad characters. You?re gonna be the bad guy, in movies.? In these 21 years, everything has changed, very much. In a way, it?s a reflection of what is happening in society. There were many generations of Latino people coming to this country, coming from difficult political or social situations in their own countries, and they worked very hard to have their kids go to universities. Well, those kids came out and they are now doctors and architects, or they are on the Supreme Court. That has a reflection in Hollywood. So, we are actually very proud that our characters are Latinos, and I think it?s good for diversity and cultural interaction. This movie is going to be seen by kids, and they don?t judge, in those terms. They?re going to watch the movie and see that the heroes actually have a strong accent, and that is good.

SALMA HAYEK: I just feel very lucky that I have been able to piggyback ride on Antonio?s superstar career. Thank god, he?s doing so well because every time he gets a movie, I get to sneak in it, even if it?s a cameo. I think that?s how things happen. I?m sure somebody else is going to sneak in because of it. It?s a good chain. I?m very proud to be a part of this movie.

Antonio, did you see the potential in Puss in Boots, from the first moment you were offered the character? How do you feel now that the cat is a star, in his own right?

BANDERAS: In the beginning, it was a recurring character. I didn?t know that he was going to have a long career, of 10 years now. The story with the cat has to do with the first choice that we made, providing him with a voice that actually doesn?t match the body and goes exactly in the opposite direction. The cat is not supposed to talk like that. He doesn?t even talk like me. I created a voice for him that?s deeper and bigger. That contrast is the source of comedy because it?s not supposed to be like that. We were in competition with the movie at the Cannes Film Festival in 2004, and suddenly there were 12 eruptions in the movie, of people just laughing. After that, I had a dinner with Jeffrey Katzenberg and he told me the idea of possibly continuing with the character in the Shrek series, and then the possibility of having a movie for him, later on.

Salma, how did you prepare for this sexy character?

HAYEK: I really didn?t prepare, at all. I never even got to see the script. (Director) Chris Miller never showed me the script. I just showed up blind. There were no drawings, or anything. In the beginning, it was just Chris and I, and he would explain it to me. It reminded me of my grandmother, who used to tell me the most amazing tales, and you had to imagine everything. He would walk me through the production design and explain it to me, and then we?d do the scenes, but I really didn?t prepare. I wish I could tell you something method, but no.

How did you explain to your daughter that you are the voice of Kitty Softpaws?

HAYEK: You know, I was worried about that because it?s like telling your child about Santa. She really thinks there are cats there. I thought I had some time, but before I could say anything, my character came on in the previews and she said, ?Oh, my gosh, mommy, that cat sounds just like you!? So, I said, ?Well, actually, it is me.? I had to explain to her that it?s not real. It?s drawings in the computer, and then you talk [for the character]. She was confused for a couple of days, but now she?s so proud of me.

BANDERAS: Ten years ago, my kids were still kids, but now my oldest is 26, and he?s got a rock band in Brooklyn. He just said to me, ?That?s a cool cat, dad.? That was pretty much his comment about it.

Did you guys get the opportunity to record together at all, during this process?

BANDERAS: The technique is basically just to work individually. I?ve done that for almost 10 years now, with Puss in Boots. But, in this particular case, I asked our director, Chris [Miller], to give us the opportunity to work together. So, we did a session, and I actually think some of the stuff we did together made it to the movie. The session was great. We improvised a little bit and just did what we wanted to do. If we would have done that individually, it would have been very difficult for the other person to match what the other did.

HAYEK: It was great. I?m just grateful that I had some training with Chris because it?s my first time doing this. I was scared to be by myself, but I was never by myself. Chris Miller is an amazing director. I really cherished the experience I had with him in this. He trained me with it, so by the time I got to Antonio, we really had the character. I knew who she was and it was very solid, so that helped me. And also, he really pushed me to explore improvisation in comedy. In these two years, I think I?ve gotten so much better because of him. He really encouraged me, and it really helped me, by the time I got to do this session with Antonio.

Salma, are you looking forward to having young kids as fans now, and having them discover your work?

HAYEK: I sure hope so! The ones who discovered me a long time ago, don?t want to go to the movies anymore. I need a new generation, or else I?ll die!

Did either of you get physical at all, during the recording process?

BANDERAS: I do, actually. I get really physical. Sometimes I go off the microphone and they have to pull me back. It?s just so amazing to me, still. I got to this country without even speaking the language, so the fact that they call me for the use of my voice is such a paradox. When I came to America, I said, ?If there?s something I cannot do, it?s going to be an animation movie.? And, here I am. I have a lot of fun. I know that it?s working when I see that they are in the booth laughing, and Chris actually laughed on my take sometimes. We ruined a lot of the best takes because of laughter. It?s almost embarrassing to say this, but it?s just easy and fun. You don?t feel that you are spending as much money as you do when you are working on a traditional movie and everybody is just rushing you because there are 200 people there. You?ve got a machine to record the voices there, and if you want to throw out whatever comes to your mind, you?re allowed to do it. It?s almost like pieces of a puzzle. Then, they take all of that work and these fantastic people on the creative side of the movie put it together in unbelievable ways. Already working in this for 10 years, when Chris showed me the storyboards, I pretty much knew what the final result was going to be. It?s a lot of fun, believe me!

HAYEK: One thing that got really physical with Chris and I was when we were recording one day and the wall came down on us. I?m not kidding! We are alive by a miracle. How it missed both of us, we still don?t understand. The wall broke and landed on the studio floor. I moved right before it fell. I don?t know why I moved, and then it fell. It missed Chris by nothing. So, I was very physical that day. I ran fast!

As a producer on the film, did Guillermo del Toro influence your performance, at all?

BANDERAS: No, because he stayed behind the scenes. He supervised all of the editing, and I suppose, to a certain point, because he?s also Mexican, he checked out how the Latino feeling of the movie was portrayed. But, he visited the recording studio once, and has traveled with us in promotion. With him, you feel secure, in that aspect. You know that the Latino aspect is going to be there.

puss-in-boots-movie-poster-04

Source: http://www.rottentomatoes.com/m/1923852/news/1923852/

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Defense witness: Michael Jackson caused own death (AP)

LOS ANGELES ? With dramatic courtroom testimony, attorneys for Michael Jackson's doctor have dropped the bombshell they've been hinting at for months ? an expert opinion accusing the singer of causing his own death.

Dr. Paul White said Jackson injected himself with a dose of propofol after an initial dose by Dr. Conrad Murray wore off. He also calculated that Jackson gave himself another sedative, lorazepam, by taking pills after an infusion of that drug and others by Murray failed to put him to sleep.

That combination of drugs could have had "lethal consequences," the defense team's star scientific witness said Friday.

Murray has pleaded not guilty to involuntary manslaughter.

White showed jurors a series of charts and simulations he created in the past two days to support the defense theory. He also did a courtroom demonstration of how the milky white anesthetic propofol could have entered Jackson's veins in the small dose that Murray claimed he gave the insomniac star.

White said he accepted Murray's statement to police that he administered only 25 milligrams of propofol after a night-long struggle to get Jackson to sleep with infusions of other sedatives.

"How long would that (propofol) have had an effect on Mr. Jackson?" asked defense attorney J. Michael Flanagan.

"If you're talking effect on the central nervous system, 10 to 15 minutes max," White said.

He then said Jackson could have injected himself with another 25 milligrams during the time Murray has said he left the singer's room.

"So you think it was self-injected propofol between 11:30 and 12?" asked Flanagan.

"In my opinion, yes," White said.

The witness, one of the early researchers of the anesthetic, contradicted testimony by Dr. Steven Shafer, his longtime colleague and collaborator. Shafer earlier testified Jackson would have been groggy from all the medications he was administered during the night and could not have given himself the drug in the two minutes Murray said he was gone.

"He can't give himself an injection if he's asleep," Shafer told jurors last week. He called the defense theory of self-administration "crazy."

White's testimony belied no animosity between the two experts, who have worked together for 30 years. Although White was called out by the judge one day for making derogatory comments to a TV reporter about the prosecution case, White was respectful and soft spoken on the witness stand.

When Flanagan made a mistake and called him "Dr. Shafer" a few times, White said, "I'm honored."

The prosecution asked for more time to study the computer program White used before cross-examining him. Superior Court Judge Michael Pastor granted the request, saying he too was baffled by the complicated simulations of Jackson's fatal dose. He recessed court early and gave prosecutors the weekend to catch up before questioning White on Monday.

The surprise disclosure of White's new theory caused a disruption of the court schedule, and the judge had worried aloud that jurors, who expected the trial to be over this week, were being inconvenienced. But the seven men and five women appeared engaged in the testimony and offered no complaints when the judge apologized for the delay.

Prosecutors could call Shafer back during their rebuttal case to answer White's assertions.

Among the key issues is how White calculated that a large residue of propofol in Jackson's body could have come from the small dose that Murray says he administered. Shafer assumed Murray had lied, and he estimated Jackson actually was given 1,000 milligrams of the drug by Murray, who he said left the bottle running into an IV tube under the pull of gravity. White disputed that, saying an extra 25 milligrams self-administered by Jackson would be enough to reach the levels found in his blood and urine.

White also said a minuscule residue of the sedative lorazepam in Jackson's stomach convinced him the singer took some pills from a prescription bottle found in his room. He suggested the combination of lorazepam, another sedative, midazolam, plus the propofol could have killed Jackson.

"It potentially could have lethal consequences," said White. "... I think the combination effect would be very, very profound."

White's testimony was expected to end Murray's defense case after 16 witnesses. It likely will be vigorously challenged by prosecutors, who spent four weeks laying out their case that Murray is a greedy, inept and reckless doctor who was giving Jackson propofol as a sleep aid in the singer's bedroom. Experts including Shafer have said propofol is not intended to treat insomnia and should not be given in a home.

White's theory was based on urine and blood levels in Jackson's autopsy, evidence found in Jackson's bedroom and Murray's long interview with police detectives two days after Jackson died while in his care.

While accepting Murray's account of drugs he gave Jackson, the expert's calculations hinged on the invisible quotient: Jackson's possible movements while his doctor was out of the room. With no witnesses and contradictory physical evidence, that has become the key question hanging over the case.

Those who knew the entertainer in his final days offered a portrait of a man gripped by fear that he would not live up to big plans for his comeback concert and worried about his ability to perform if he didn't get sleep. He was plagued by insomnia, and other medical professionals told of his quest for the one drug he believed could help him. He called it his "milk," and it was propofol.

Jurors have now seen it up close as both Shafer and White demonstrated its potential use as an IV infusion.

With White's testimony, the defense sought to answer strong scientific evidence by the prosecution. But they did not address other questions such as allegations that Murray was negligent and acting below the standard of care for a physician.

Flanagan, the defense attorney, produced a certificate from Sunrise Hospital in Las Vegas showing Murray was certified to administer moderate anesthesia, referred to as "conscious sedation." However, the document showed several requirements including that the physician "monitor the patient carefully" and "provide adequate oxygenation and ventilation for a patient that stops breathing."

Medical witnesses noted that Murray left his patient alone under anesthesia and did not have adequate equipment to revive him when he found him not breathing.

The coroner attributed Jackson's June 25, 2009, death to "acute propofol intoxication" complicated by other sedatives.

Source: http://us.rd.yahoo.com/dailynews/rss/crime/*http%3A//news.yahoo.com/s/ap/20111029/ap_en_mu/us_michael_jackson_doctor

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শনিবার, ২৯ অক্টোবর, ২০১১

Thriller sends Series to 1st Game 7 since '02

By RONALD BLUM

updated 4:41 a.m. ET Oct. 28, 2011

ST. LOUIS - A drained Tony La Russa sat behind the podium, jersey gone and a blue towel draped around his neck,

"When you dream," the St. Louis Cardinals manager said, "you dream about seventh game, all the heroics."

After one of the greatest games in baseball history, a 10-9, 11-inning victory over Texas in Game 6 in which the Cardinals were twice within one strike of elimination, it was too soon for La Russa to announce his Game 7 starter. His choice was whether to send ace Chris Carpenter to the mound on short rest Friday night or start Kyle Lohse or Edwin Jackson.

"This is a very important game and if you don't want it, then there's no need to be here," Carpenter said.

Down to their final strike in the ninth and 10th, the Cardinals won Game 6 on David Freese's 11th-inning homer off Mark Lowe. Afterward, La Russa still would not commit to a Game 7 starter.

"Just barely started to think about tomorrow, but actually it'll be fun to think about it now because there is a Game 7," he said. "Might just roll Jake (Westbrook) back out there. Who knows?"

Texas manager Ron Washington made his decision days ago, announcing he would stay in rotation and start Matt Harrison, the Game 3 loser. Washington could have gone with Game 4 winner Derek Holland on full rest or ace C.J. Wilson on short rest.

"Harrison has been a big part of this team all year," Washington said. "I am not changing the things that I've been doing all year."

The eight-year absence of baseball's ultimate game is the longest since the World Series began in 1903. The Cardinals hold the record for most World Series Game 7s, going 7-3.

When a seventh game was last played in 2002, John Lackey pitched five innings of one-hit ball to lead the Anaheim Angels over the San Francisco Giants 4-1, completing a comeback from a 3-2 Series deficit. Lackey joined Babe Adams of the 1909 Pittsburgh Pirates as the only rookie starters to win a seventh game, and the Angels became the eighth straight home team to triumph in Game 7 since the victory by Pittsburgh's "We Are Family" team at Baltimore in 1979.

In 2001, Randy Johnson came out of the bullpen on no days' rest and the Diamondbacks rallied for two runs in the ninth inning against Mariano Rivera, beating the Yankees 3-2 on Luis Gonzalez's broken-bat single.

"When you're a little kid, you think about the seventh game of the World Series," Gonzalez said. "It didn't matter how the hit came."

While the Cardinals are seeking their 11th title, the Rangers are going for the first in the 51-year history of the franchise, which began as the expansion Washington Senators in 1961. The team moved to Texas for the 1972 season.

"We've been backed into a corner for the last two months," the Cardinals' Skip Schumaker said, "so we know what it feels like."

Carpenter won the opener, then allowed two runs in seven innings in Game 5 on Monday night, giving up solo homers to Mitch Moreland and Adrian Beltre. He didn't get a decision in the Cardinals 4-2 loss but is 3-0 with a 3.30 ERA in five postseason appearances.

He would be just the second pitcher since 1991 to make three Series starts, following Arizona's Curt Schilling a decade ago. But it would be just the second career start on three days' rest for the 36-year-old, who has come back from several arm injuries.

After pitching a two-hit shutout at Houston on the last night of the regular season to help clinch the NL wild card, Carpenter gave up four runs over three innings in Game 2 of the division series at Philadelphia. He didn't get a decision as the Cardinals rallied to win 5-4.

During the last two decades, starters on short rest are 9-8 with a 2.78 ERA in the World Series, with their teams going 12-15, according to STATS LLC.

"I learned what my body's going to feel like, what my stuff's going to be like," Carpenter said. "You go out there and you make pitches. We'll see what happens. Everybody's going to be ready tomorrow, I can tell you that."

Lohse, who would be pitching on five days' rest, was pulled after three innings in Game 3, and the Cardinals went on to win 16-7 against Harrison, who was let down by his defense and allowed five runs ? two unearned ? in 3 2-3 innings. Jackson struggled with his control and walked seven in 5 1-3 innings as St. Louis lost 4-0 in Game 4.

Hall of Famer Bob Gibson started three Game 7s for the Cardinals, winning in 1964 and 1967 and losing in 1968 ? all with complete games.

In 1926, Babe Ruth was thrown out trying to steal second base for the final out as the Cardinals beat the Yankees 3-2. And in 1946, the score was tied at 3 in the eighth when the Cardinals' Enos Slaughter scored from first on Harry Walker's hit as Boston Red Sox shortstop Johnny Pesky hesitated with his relay after receiving the throw from outfielder Leon Culberson.

Other great moments include Edgar Renteria's 11th-inning single that won the 1997 title for Florida against Cleveland, Gene Larkin's 10th-inning single that gave Minnesota a 1-0 win over Atlanta in 1991 behind Jack Morris' seven-hitter, and Bill Mazeroski's Series-ending home run in 1960 that lifted Pittsburgh over the Yankees 10-9.

"Every day of my life, I think about that home run," Mazeroski said. "Wouldn't you?"

Forty years before losing to the Angels, the Giants fell 1-0 in Game 7 to the Yankees when Bobby Richardson gloved Willie McCovey's line drive to end the game with Willie Mays stranded at second.

While in New York, the Giants lost two especially painful seventh games.

In 1912 against the Red Sox, which actually was the eighth game because of a 6-6 tie in Game 2, the Giants took a 2-1 lead in the top of the 10th inning. They were one out from winning when Fred Snodgrass dropped a routine fly ball in center field. Tris Speaker's single tied the score and Larry Gardner's sacrifice fly won it 3-2.

In 1924, Earl McNeely's grounder bounced over rookie third baseman Freddie Lindstrom's head to bring home Muddy Ruel with the winning run in the 12th inning, giving the original Washington Senators a 4-3 victory.

Brooklyn fans treasure Johnny Podres' 2-0 win in 1955 over the Yankees, who beat the Dodgers in the Series five times previously. Sandy Koufax pitched a shutout on two days' rest in 1965 as Los Angeles defeated Minnesota's Jim Kaat 2-0, and Lew Burdette pitched a shutout on two days' rest in 1957 to lead the Milwaukee Braves over the Yankees' Don Larsen 5-0.

In 1975, Cincinnati's Joe Morgan got the go-ahead hit off Boston's Jim Burton ? who never pitched in the major leagues again ? to give the Reds a 4-3 victory at Fenway Park. The Mets overcame a 3-0 deficit against the Red Sox in Game 7 in 1986 as Ray Knight and Darryl Strawberry homered in an 8-5 victory.

"The experience of Game 7," La Russa said, "is something they'll never forget."

Copyright 2011 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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Source: http://nbcsports.msnbc.com/id/45072199/ns/sports-baseball/

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Nokia Aims To ?Connect The Next Billion People? With Budget-Friendly Asha Series

CaptureWe're all waiting for Nokia to unveil their new Windows Phones already, but Nokia's clearly going to make us wait a bit longer. The Nokia Asha series is the first to take the stage, and according to Nokia's Blanca Juti, it's all about being "affordable, irresistable, and easy to use."

Source: http://feedproxy.google.com/~r/Techcrunch/~3/DTMLWa08A80/

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Dan Burke, Capital Cities co-founder, dies at 82 (AP)

PORTLAND, Maine ? Dan Burke, whose retirement plan included buying the Portland Sea Dogs after retiring as president and CEO of ABC/Capital Cities Inc., has died of complications from diabetes. He was 82.

Sea Dogs General Manager Geoff Iacuessa (eye-KWEH'-suh) says Burke died surrounded by family Wednesday morning at his home in Rye, N.Y.

Burke, along with Tom Murphy, built Capital Cities from a TV station in Albany, N.Y., into a giant that acquired ABC. Capital Cities/ABC was later taken over by Disney.

Two years before he retired, Burke bought an Eastern League minor league baseball franchise in 1992 with a goal of providing family entertainment in the state where he spent his summers. Kathie Lee Gifford sang the National Anthem at the first opening day for the Sea Dogs in 1994.

Source: http://us.rd.yahoo.com/dailynews/rss/obits/*http%3A//news.yahoo.com/s/ap/20111026/ap_on_re_us/us_obit_burke

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Treasurys fall on details of European crisis plan (AP)

WASHINGTON ? Treasury prices fell Monday as details emerged of a possible plan to stem the spread of the Greek debt crisis.

Yields on ultra-safe Treasurys edged higher, but wobbled in a narrow range as traders awaited a major announcement from European leaders expected on Wednesday.

The price of the 10-year Treasury note fell 6 cents for every $100 invested, pushing its yield up to 2.23 percent at 4 p.m. from 2.22 percent late Friday.

Bond yields rise as their prices fall.

Prices for Treasury notes slipped in part because the Treasury Department plans to auction $99 billion worth of them later this week, analysts said. Traders often sell Treasurys before an auction to make space for the new supply. By establishing a lower market price, they also can push the auction price lower.

The Treasury Department will auction off $35 billion of two-year notes on Tuesday, $35 billion of five-year notes on Wednesday and $29 billion of seven-year notes, it said last week.

The yield on the two-year note rose to 0.29 percent from 0.28 percent. The yield on the five-year note rose to 1.09 percent from 1.07 percent. The yield on the seven-year note rose to 1.69 percent from 1.66 percent.

Treasurys rose early Monday as traders monitored Europe's talks, which had produced few specifics. They fell sharply later Monday morning, sending the 10-year yield to 2.24 percent at 9 a.m. Eastern time from 2.18 percent less than a half-hour earlier. They spent the rest of the day rising and falling, but not by much.

Leaders of European nations and Greece's lenders are trying to prevent a messy default by Greece, shore up European banks and prevent the debt crisis from spreading.

Plans revolved around expanding the lending power of the $600 billion bailout fund agreed to in July. One way would be to guarantee government bonds against losses, so that private investors would be encouraged to buy them. Another would seek money from outside investors such as sovereign wealth funds.

In other trading, the price of the 30-year Treasury bond fell 69 cents per $100 invested, leaving its yield unchanged at 3.27 percent.

The yield on the three-month Treasury note was flat at 0.01 percent. Its discount wasn't available.

Source: http://us.rd.yahoo.com/dailynews/rss/europe/*http%3A//news.yahoo.com/s/ap/20111024/ap_on_bi_ge/us_credit_markets

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A Virtual 150? Movie Screen ? Sony Personal 3D Viewer Head Mounted Display HMZT1

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Source: http://the-gadgeteer.com/2011/10/25/a-virtual-150-movie-screen-sony-personal-3d-viewer-head-mounted-display-hmzt1/

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